Tag Archives: digital literacies
R3mixing English Language Arts NCTE 2018
I spent my time dreaming in dictionaries, but opening the book in the middle. I can not start with the beginning of a story. From A to Z, for me it’s impossible. This order is an idea of life and death that terrifies me. When I write, I do not start at the beginning. When I draw no more. I mix everything. Bernard Yslaire
I as INTUITION: It’s the only thing that matters, it’s the only thing left. With the years, with fashion, the beautiful theories fly away. Intuitions help us make choices, direct us and allow us to tell the difference between a promise and a future.
“When [teachers] organize the tasks students address so that students learn to connect what they have learned in school to the world beyond it they are developing their students’ ability to extend and apply what they have learned to other domains” (Eisner, 2002, p. 13)
When students connected printed text to their image definitions, the abstract notion of alienation became concrete. The concept became real enough that they could wrap their minds around the idea and begin to apply the new term to other scenarios.
Feel free to play!!! Most of the images I use are taken with my phone and edited in an app called Pixlr. Upload to Twitter and/or Instagram with the hashtag #whitmanwednesday.
Use the project in your classroom to show your students how to connect words and images in meaningful ways. Talk about why the images they choose work with the words they’ve selected. Talk about color and line and vision. There is always room for art in English Language Arts (or any other subject, for that matter).
Processing DigPed PEI
Content is people. Context is people. Life is complicated and complex and messy.
My sweet greyhound, Dolce, went to the Rainbow Bridge while I was at Prince Edward Island. What does this have to do with #DigPed? Nothing and everything all at once.
I knew when I left Atlanta on Tuesday that my 12 year old brindle girl was not well, and I had a gut feeling that it would be a rough week for her. By Thursday, it was clear that she was done fighting and ready to be free from whatever it was that caused kidney and vascular failure. On Friday morning, my sweet husband, who had been traveling himself earlier in the week, held our girl as she breathed her last. Brian let me know that she was gone. And my heart tore into fragments.
My heart was in fragments, but I wasn’t alone. I was surrounded by a community of compassion and passion and empathy — none of whom I had met in the flesh until that week. I cried in their arms, we shared stories of beloved pets, and we connected. Life at its messiest, most vulnerable, and most authentic.
Authenticity should be at the heart of learning. As educators, we need to remember that our classes, whether face to face or in online spaces, are made up of people. Our content is not the curriculum; our content is the lives of the people who inhabit our classes, and it in is the contexts of their lives that we can make the connection of relationship building that undergirds the most memorable learning experiences.
Most of us who pursue education were inspired by one teacher who stands in our memories as the one who pushed us the hardest, believed in us the most fiercely, and motivated us to reach farther than we ever thought possible. In the exhausting midst of standards and curriculum and politics, teachers sometimes forget that the curriculum in a tool, not an end unto itself. DigPed expands the notion of tools and how they can benefit the entire education community, but the real lesson is found in building relationships. The warm compassion with which I was enveloped at the loss of my sweet greyhound is essential for all of us who call ourselves teachers to offer to the students in our classes. Learning is about developing people. Education is how we discover things together in the world. Curriculum is a tool. Life is messy and complicated. This is the stuff of education. Content is not subject matter.
Content is people.
*first published on Medium
Where I’ve Been #LE2
Identity formation and Walking
I wrote this on Medium and thought I’d share here as well.
We live in a connected world. That said, we seem to be more isolated than ever before. There are coffee shops that promote face to face conversation by eliminating wifi and informal games that require groups in restaurants to put down their mobile devices (because the handheld technologies are far more than phones these days) or foot the bill for the entire party. Ray Bradbury saw it coming and wrote about it (remember Mildred’s “seashells” from Fahrenheit 451?)
The challenge for those of us who choose to embrace the digital spaces is to create authentic connections with people across time, distance, and cultural differences. For me, it’s one of the most exciting things about #walkmyworld. Because it is designed to be a fun collaboration of identities around learning events, the stress level for perfection is reduced. Even though the learning events include content instruction that is easily augmented in particular classrooms, the tone is light and engaging, so the threat level is low. People from around the world come to play, and it becomes a true multi-cultural experience among like minded people of all ages. There are elementary and secondary students, graduate students, pre-service teachers, and professors all involved, but no one is an expert. Instead, all participants are learning and sharing together in a virtual community of equals.
Since this is my third year as part of Walk My World, I think I have a sense of what to expect: expect the unexpected. Unexpected learning, unexpected friendships, and unexpected glimpses into a digital identity still in formation and ever evolving. This is how a connected world can work: people being authentic, sharing an experience, and learning how to walk together.
Walk My World
It’s here! It’s time!
Walk My World begins its third iteration this week. I have helped craft the learning events and I think this will be the best year ever.
Join the fun here! The first week is all about getting set, so jump right in!
This image has been sitting in this draft for months, so long that I don’t remember the original purpose. I think it had to do with a #clmooc challenge over the summer, but I can’t be sure. Still, it is a powerful image that I can’t bring myself to delete, so it must be something to explore.
Fig.1 Drawing by Belgian artist Yslaire
I titled this post Wasteland when I put the image in place; perhaps it is the title of the piece, perhaps just my impression, but when I look at it my mind goes to the cruellest month underscored by the organ and guitars of Baba O’Riley. The image, I am certain, refers to neither of these, but in my mind they are inexorably connected.
Wasteland is a place beyond hope. A place where there is no escape from monotony and tedium. In this image, the television screen acts as hypnotist, so mesmerizing the viewer that he forgets he is a winged creature, made to soar.
|And the dead tree gives no shelter, the cricket no relief,|
|And the dry stone no sound of water. Only|
|There is shadow under this red rock,|
We too often allow life to put blinders on us. Even if we resist the allure of the screen (be it television, computer, or smart phone), we manage to stay in the parched shadow of the red rock, afraid to venture out into the unfamiliar until we, too, forget we have wings to fly on the fresh winds of the exodus from the wasteland to the promised land.
Whistling: A #DiGiWriMo Collaborative Mystery
DiGiWriMo gave me a great excuse to try something new with my students. Because I teach three very distinct classes, I was intrigued by the idea of a collaborate project across all three. One class is all online. One is face-to-face, and the third is a hybrid of the two. I intend to write up the process and how it worked, but for now, here is the story they wrote, as they left it:
“A fish can’t whistle, and neither can I.” Sharon said that to me a million times, and now I can’t believe she’s gone. It’s funny how little things can turn into the things you remember the most. It isn’t the cases we solved together. It’s the inside stories, like her silly quotes, that nobody understands except for me. People don’t know why I’m smiling at when I look at her picture. They think I’m crazy but they don’t understand our little private jokes about pretty much everything under the sun. Like how she used to make fun of me when I ordered the Double Sumo meal at our regular Tao Min lunches. “Know your limits,” she would say. And I’d laugh and order it anyway. And take half of it home.
My reminiscent thoughts are interrupted by a tap on the shoulder. “Already miss her?” says the deep voice behind me. As I turn away from her picture, I see Lieutenant Sam Marshall, the lead detective on Sharon’s murder case. He hands me an envelope. “This is for later. Not today. But later, when you’re ready.” I peek inside and see photos, presumably from the scene where Sharon died in a bizarre head-on collision with the wall near the restaurant we spent most of our shift lunches. “Thanks,” I mutter. And I tuck the envelope in my jacket pocket.
After the funeral, I walk into my bedroom and watch my coat fall limp on the bed frame. I grudgingly gather the will to open the thin envelope and dump the contents on the bed. Pictures scatter. A car, a deployed and shriveled airbag, trunk slightly ajar, the concrete wall scarred from the drag of the driver’s side door, damage that indicated how my partner died. There are other random marks on the wall, but that’s not unusual in this part of town. Graffiti is pretty common. I’m relieved to see no pictures of Sharon’s body.
Ring. Ring. I wake up and realize I’ve slept in the clothes I wore to the memorial. “Dispatch. Code 187. Officer Castillo. Report to PB gas station on Main and Truman. Officers already on scene. Suspected homicide.” I report back, “I need a shower and my body calls for a cup of coffee before I head out. If there are officers already there, they can wait another ten minutes.”
As I pull up the yellow crime scene tape over my head, I scan the scene. I see a body hanging down from the rafters with a pool of blood on floor beneath his feet. At the moment the medical examiner’s team is preparing to take the body down. I look around. The place is a mess, there was obviously a struggle. “Eddie,” I hear a solemn voice. “Come look at this.” I walk over to Detective Marshall, who is holding a camera and pointing at a paper near the cash register. I look at the counter and see a sheet of paper with blots of red. “What in the world. What do you think this is?” I say. Marshall replies, “I don’t know. It reminds me of the blood stains on the wall where Sharon… uh…” What blood stains? I don’t remember anything but graffitti on the wall at Sharon’s crime scene. I shake my head and turn my attention back to the case at hand.
Detective Marshall snaps more pictures, so I make my way around to the corpse, now on the floor. He looks familiar – like I should know who it is. The medical team extracts an SD card from his mouth and places it in an evidence bag. “Take a look at this.” I’m handed the plastic bag and figure this needs to be brought to the station to find out what is on it.
I start the engine of my car and begin heading to the station. How did I miss the blood with the graffitti? I must have been more tired than I thought. I resolve to look again when I get home. First things first: what is on this card and why was it forced between the victim’s back molars?
The data comes back from the lab. All this information looks familiar. I remember this case. It was one that Sharon and I worked together on a few years back. The dead guy was Luis Sanchez.He had strangled one of our best coder/analysts just as we were about to break open a drug ring in town. We had Sanchez, dead to rights, until some careless idiot in the clerk’s office misfiled some pertinent paperwork. The judge had to let Sanchez off. We were furious.
As I am waiting for the pictures to come back from the PB station, another call comes in over the scanner. “Dispatch. Code 187. Officer Castillo. Report to Motel 23 on 23rd Street and Holyoke. Officers already on scene. Suspected homicide.” Again? Two homicides in one day? Our town is pretty quiet, so this is weird. Once again, I head to my car.
This hotel is old. Not exactly a place I’d want to call home, but it’s a roof and a bed if you’re desperate. The first thing I cast my eyes on is a beat up truck, resting on the chock block that’s supposed to stop a car before it does any damage to the building. Nice thought. I look in the window and see the usual mess of a laborer, complete with empty bottle of Mountain Dew…healthy.
I am greeted by Detective Marshall, camera in hand. “You might want to look at this. It’s kinda creepy.” For Marshall to call something creepy is creepy itself. It must be bad. I walk into the room and see a trail of blood drops running around the bed that leads to the contorted body of Steve Lorne. I turn to Marshall, “What the heck?” Marshall shrugs and points to the television, illuminated by static. There I see it. More blood. I take a closer look and flash back to the earlier scene with the red marked paper. The marks seem to be similar – and definitely intentional.
“Do you have any pictures from this morning?” I say. Marshall and I walk to his car and open his laptop. He loads the pictures from his camera and we both look at the images. There is no doubt. The marks are exactly the same. “The one this morning turned out to be Sanchez’s blood,” Marshall tells me. “I’m betting this one is this guy’s. I’ll let you know the minute the labs come back.” Marshall prints out copies of both blood stains and hands them to me. “See if you can figure out what these mean” he says. I nod and head back to the station, pictures in hand, and my head spinning.
This dead guy is too familiar. It hits me then. Sharon and I worked this case a year ago when Lorne killed the owner of a Japanese restaurant across town. The restaurant was famous for its Fugu – and only the most daring diners would attempt to eat it because of its reputation as a killer dish. The place never recovered from the owner’s death and closed.
I decide to take a second look at that case. Number 10020023. 23. Same number as the motel. I figure it’s a coincidence and turn back to the photos.
I’m interrupted by a call from the lab. Evidently, the Mountain Dew bottle tested positive for tetrodotoxin, a neurotoxin found in Fugu. Lorne must have been feeling the burn in his mouth and the confusion and muscle weakness that precedes death when he crashed. How he made it to his room, I’m not sure, but he couldn’t have lasted long once he got there. Gruesome way to die, if you ask me.
I pull up both case files to see what could link them together besides the fact that they were our – Sharon’s and mine – cases. And both killers got off scot-free. It hits me. The way they were killed–strangulation and Fugu poison. Some weird connection to the cases in front of me. And then the blood. Something in the back of my mind tells me I’m missing something huge. The killer has to know what cases Sharon and I have worked as well as have access to those case files. The only people who would have access to that information and who have been around long enough to know what cases Sharon and I have worked are Sharon and Detective Marshall. But Sharon is dead….
Two days later, I get a call informing me of another murder. On top of the three crime scenes the station is already overwhelmed with, the death of Frank Kelly is added to the list. Kelly’s case is one we all know too well because Kelly was the reason Sharon became a cop to begin with. He killed her cousin – the whole family, actually. Kelly left the house burning, all bodies inside except for Sharon’s cousin, Barbara whose body was never found. He had stabbed the rest of the family before burning the house. I was a new cop, then, so I only know the story from the reports I read and from what Sharon told me. Sharon was always driven to get a conviction for Kelly, but he managed to keep delaying trial. Good lawyers for him, but Sharon was angry at the system for letting Kelly go on with his life while her family suffered. Her primary motivation in law enforcement was to find justice for families of victims by good police work. She may have been a jokester about my eating habits, but she was dead serious about her job.
It only takes ten minutes to get to the apartment building in this case. A quick glance tells me that this is much more violent than the other two this week. Hanging from a fifth floor window is a guy – obviously dead based on the fact that it’s only his foot keeping his body from falling to the ground. I can see from the parking lot that there is something on the window.
I run up the stairs and by the time I get there, the medics have pulled the dead guy in. Sure enough, it’s Frank Kelly. I’d recognize his ugly face anywhere – even bloodied and swollen in death. I let the medics do their thing while I look around the room. I see Marshall with his camera and he waves me over.
“It’s another one,” he says, pointing at the window. Plain as day, I see the image and I suddenly feel nauseous.
“Marshall!” I say. “When did Sharon and I take that Psych course with all the Rorschach ink blot studies? Wasn’t that just a month or so ago?”
“Yeah, why?” Marshall looks confused, but smirks at the memory of all the complaining I did about having to do the stupid course.
I pull the pictures out of my pocket – when did I put them there? I sort through until I find the two blood marks and compare them to the one painted on the window. They’re all the same. I point this out to Marshall who tells me I’m seeing too much into it and that my mind’s playing tricks on me.
I looked back at Kelly’s body which the medics weren’t finished with yet. He looked like he took a beating and he was stabbed multiple times before he was hung out to dry. I thought back to the cases from a few days ago and Sharon’s case; they all had the blood blots to connect them, so they had to have the same killer. But either Kelly fought his murderer to his death or his murderer had some grudge against him and took it out on his body. Who could know these specific cases? No witnesses. No accomplices. I look over at Marshall again. Sharon and Marshall are the only ones who could have known about these specific cases and Sharon is dead, so that just leaves…
“Marshall,” I say, “I need to clear my head. I’m headed back to the station. Let me know if…” As I’m crossing the room my eye falls on the couch which is strangely normal-looking. On it is a book, open to reveal a highlighted sentence on page 43, “A fish can’t whistle, and neither can I.” The Tao of Pooh. I pick up the book by the corner and put it into an evidence bag and put it in my pocket. I have to think.
Once I got back to the station I make my way back to my office, stopping for a cup of coffee. Jack, one of our techs comes up and says, “Weird about the missing bodies.” I just look at him.
“What missing bodies?”
“Well, isn’t this the guy who killed Sharon’s relatives? I remember that the cousin’s body was never found in that case. And then, of course, no one ever found Sharon’s body..er…um…right?” Apparently my face gave me away. They never found Sharon’s body? And never thought to mention that to me?
In my office, I take a deep breath and pull out the pictures from Sharon’s case. I glance through them looking for anything that might have been missed. When I get to the last one, I look more closely at the graffiti on the wall. And then I see it. A red Rorschach blot in the middle of the crazy mural of spray paint. How had I missed that before? Upon noticing this I pull up the case (noticing that the case ends in 43 – another weird coincidence) on my computer. There is nothing about a body in the report. “Jack was right!” I say it aloud, even though no one is in the office but me. I call Marshall and demand to know why he never told me that Sharon’s body was missing.
Marshall replies with “you never asked”. I could punch him, but know he probably wanted to keep me out of the loop because she was my partner. Evidence was one thing, but a missing body was another, I guess. In any case, now I have four Rorschach blots in blood, three cases Sharon and I worked together, and two missing bodies. Something doesn’t add up.
I keep staring at the four pictures until my eyes blur. I hear Sharon’s voice in my head laughing during the course we took. Being cops, we had a hard time taking it seriously, and we joked around a lot. The best joke was the day we were “analyzed” and Sharon came back with a “diagnosis” of “borderline psychotic with violent tendencies”. We laughed about that for days.
I shake the memory from my head and look out the window. I see a shadow passing by and I hear someone whistling, badly. I could swear it is Sharon. I know her walk and her attitude better than anyone else. And Sharon’s fish-whistle quote was partly funny because she couldn’t whistle herself out of a paper bag. But it can’t be her – I’m seeing ghosts. I figure I need to get out of the office.
I decide to walk a little. There’s a park by the restaurant where we used to have lunch. I’m not hungry enough for a Double Sumo meal, but I figure the air will do me good, even though it’s getting dark. I look in the restaurant window at our old table, wondering how all these cases intersect. It’s obviously got to be the same killer, but why are all the bodies there except Sharon’s and her cousin’s? Why are the dead killers’ murders so obviously connected to their crimes?
My phone rings, but the number is “restricted”. When I click answer, the voice on the end stops me in my tracks.
Sawyer Stromwall, Lisa Kawamura, Connor Horne, Anna Laarhoven, Hudson Stromwall, Ted Ingram, Danny Glenos, Bri McGhee, Laney Hall, and Charity Campbell.
Connections and the Twist
One of the great things about the connected learning community is the vastness of subject matter about which to write and think and create and share. I know I need to be creating and thinking constantly, and sometimes I just need to break free and do something because I WANT to do it. I enjoy learning, so my PhD studies interest me and keep me busy writing. I love teaching, so my time spent creating lessons that teach composition and critical thinking is time well spent. But then I read some of my favorite blogs or tweets by some of my online colleagues and I feel like I’m missing out on something fun.
My friend, Sarah Honeychurch, wrote about a creative challenge she was participating in about twisted pairings. Following her blog to the original source, I found Steve Wheeler, the learning technology blogger behind #twistedpair challenge. The purpose of the challenge is to put together two unlikely people (real or fiction) and explain their connection to teaching and learning. It’s similar to his #blimage challenge from last summer. (My attempt at that challenge is here.)
I relish these kinds of challenges and fully intend to steal…er…borrow this concept for use in my writing classes. Making connections – between individuals, groups, and ideas – is a critical skill in a 21st century world. For this challenge, Steve shared a list of possibilities, but none really resonated with me until I saw
Doctor Who and Snoopy
An immortal Time Lord from Gallifrey and a wisecracking beagle from the USA couldn’t possibly have anything in common, could they? Nor could there be lessons to be learned from the pair, right? Well, perhaps. Deeper inspection may reveal connections that unite pop culture lovers from two distinct cultures and two very different points of view.
The most obvious connection is in the imagination of the writers. Charles Schultz gave Snoopy a character all his own, and whether he was Joe Cool or the Ace fighter Pilot, underneath he was still Snoopy the beagle. Similarly, the Doctor has undergone 11 or 12 regenerations (depending on how one counts), but underneath each unique visage and eccentricity, the Doctor is the same: finding truth, fighting evil, and making friends along the way.
Friendship is another common theme. Snoopy has Woodstock as his primary chum, but he has other friends too, including his brother, Spike, and his “owner”,Charlie Brown. The Doctor, for all his clamoring about his independence almost always has a sidekick: from Susan in 1963 to Clara in 2015. In between is a crew of men, women, and even an android dog. As Donne says, “No man is an island”, and both the Doctor and Snoopy manage to surround themselves with the companions they need to persevere. Often students, especially the introverts, try to exude a countenance of confidence when they really could use a buddy. It’s one of the reason I am so pro-technology. Twitter, Google docs, even discussion boards can give voice to the shy or struggling while giving opportunity for the more outgoing students to listen. Collaboration makes student writing and comprehension stronger.
The real connection, however, is not in Snoopy and the Doctor per se. It is in their dwellings. Snoopy’s doghouse is fighter jet or study, depending on his need. The interior must be enormous based on the sheer number of things he keeps stored there. For the Doctor, his TARDIS (Time and Relative Dimension In Space) is known for being “bigger of the inside.” This concept is the connection between Doctor Who, Snoopy, and teaching practices. So much time is spent preparing for standardized tests (and now even teacher preparation programs are moving from innovation to EdTPA standardized assessment) that the imagination is too often left behind. But the human mind is “bigger on the inside” because imagination and innovation dwell there. It may be that we are instructed to educate creativity out of our children (thank you Sir Ken), but those of us who teach from a place of passion must find ways to connect that vast space of potential to real and concrete ideas and projects.
Creating relevant scenarios is a key element to engaging imagination. Doctor Who has his conflicts thrusts upon him by Daleks, Weeping Angels, and Cybermen, among a dozen or more others. Snoopy should have a life of ease, but he creates problems for himself by engaging in flight battles or Christmas light competitions (which he inevitably wins). Teachers need to teach students to look at assignments (even the dreaded close reading multiple choice assessments)as problems or challenges or scenarios that can be outwitted with creative thinking and “smarts” rather than tolerated until over. But how do we do that when admins breathe down our necks about test scores and even universities cry out for universality? How do we prevail against a system that strives to create a generation of Nestean Autons instead of independent thinkers? These are the challenges facing educators today. The paradigm is shifting; teachers need to regenerate into a new form with the same underlying passions and take on the Red Baron of politics in education with Snoopy-esque panache.
Robinson, K. (2006). Do schools kill creativity? [Webcast]. TED2006. Retrieved from https://www.ted.com/talks/ken_robinson_says_schools_kill_creativity?language=en