Tag Archives: authors

Wow.

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Honored and Humbled

Tonight was truly inspirational. And humbling. I knew back in August that I had received a scholarship from the Leitalift Foundation, but I had no idea until tonight just how significant it was. I have joined the ranks of a very few educators in Georgia to be recognized for passion and determination in spite of obstacles. In my case, the obstacles came in the form of age and financial need. The passion, however, was what the scholarship committee saw. I had no way of knowing, but my desire to make education about the students again caught their attention.

But it’s true. I am so fed up with a system that makes test scores the sole measure of a child’s worth. We have ceased as a society to value creativity and independent thinking and problem solving in favor of some “objective” measure of knowledge. The problem is, teenagers are too smart for that measurement. They know how to game the system. They become expert test-takers, but retain little actual knowledge because is isn’t relevant to their lives. Their learning happens outside the classroom where they are sometimes subject to ideas and processes they may not be cognitively ready for. But as a society, we have forced them there. School is boring. The tools of business are largely ignored in the public schools; worse yet, they are often blocked. We live n a digital world, but the education system is locked into a formula devised in the 1950s and last updated in the 1980s. We may have standardized tests, but we are not standardized individuals. To reduce anyone’s value to a test score is wrong on every level.
I was expected (unknowingly) to say a few words about my passion and inspiration. Because so much of my feelings on education were articulated by Madeleine L’Engle, I quickly pulled up a quote that became the centerpiece of my moment on stage:
“The creative impulse can be killed, but it cannot be taught…What a teacher can do…in working with children, is to give the flame enough oxygen so that it can burn. As far as I’m concerned, this providing of oxygen is one of the noblest of all vocations.” (A Circle of Quiet, 1972)
My passion as an educator is to fan the flame of creative passion, of excellence, and of delight in learning. This passion is not at home in the current public school space. My goal, then, is to offer a point of view that is student centered, practical minded, and relevant in the long term. My hope is the my work going forward inspires those who follow to rebel against a culture of standardization in pursuit of something greater: beautiful individuality that leads to innovation, excellence, and independence.
Wow.
Me and Denise, 2014 recipients
Denise and I both received this scholarship. She is a single mom who already has an MBA but felt compelled to get her Master of Arts in Teaching with an ESOL (non-native English speaking students) specialty. We are both driven and determined women who are motivated even more now to give back by pursuing excellence.
I received a certificate saying,
” The Directors of the Leitalift Foundation unanimously selected Stephanie Loomis to receive a 2014 scholarship. Leitalift scholarships are granted to women who have exhibited an extraordinary desire and commitment to enriching their lived through furthering their education.
Leita Thompson founded the Leitalift foundation is 1956 with her own earned funds as a working woman to assist working women find a fuller life. Clarice Bagwell was Leitalift Foundation President until her death in 2001. The spirit and tenacity of these two women are behind this scholarship grant.
The scholarship recipient by accepting this grant commits to do her best to accomplish her education goals in this coming year.”
Challenge accepted, with gratitude and humility.
Thank you Clarice Bagwell/ Leitalift Foundation. With the Lord’s help and blessing, I will prove myself worthy.

Literature or Art Class?

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Why not both?

One of the unorthodox ideas I tested in the last school year was a “Through the Lens” concept. The idea was to read literature, write a short essay, create a digital art piece (based on student photography), and give a presentation that incorporated both the essay and the art. For 2011-2012, the theme was American Literature. It was an easy place to begin for me, as I had already put together a curriculum for a thematic approach to American Literature with a fellow teacher several years ago. American literature also lends itself to images that are approachable by most teenagers who have some interest in visual arts.

I began with the Transcendentalists. Who better to photograph than Whitman, Thoreau, and Emerson?  The nature element alone makes for good images. All I asked the students to do was to connect the photo to some quote or poem from the readings.

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Opening with such obvious connections allowed me to also discuss photography as storytelling and somehow reaching all five senses with imagery. I used PowerPoint to let me illustrate each point, and I encourage the students to learn PowerPoint for their own presentations. The first semester I allowed them just just share their images and discuss them, but by the end of the each all students were adept at full presentations with multiple slides.

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I will teach a similar course for the 2012-2013 school year, this time centered around the work of C.S. Lewis. If that isn’t unorthodox, I don’t know what is!

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The Logical Conclusion by T.S. Eliot

Unorthodox Authors

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Sometimes being an unorthodox teacher means choosing unorthodox authors to study. Madeleine L’Engle wrote a number of children’s books, and it it for those that she is best known. However, I love her essays and poetry for its beautiful imagery and profound emotions. Her spirituality is evident, and her unique point of view is worth close examination, especially by high school students.

I choose to explore her work, Bright Evening Star, a book of essays about the Incarnation of Christ. It’s the perfect choice for the weeks leading to Advent and Christmas, because it puts the season in perspective. Asking students to restate her written images into a digital art form makes them think, not only about L’Engle’s perspective, but about their own faith as well.

Other unorthodox authors I love to use: Annie Dillard, C.S. Lewis, Adeleine Yen Mah, Laura Hillenbrand, and lesser known works of Thornton Wilder and Flannery O’Connor.

The classics are important, but it’s good to step outside the bounds of Spark Notes materials and let students do some deep critical thinking on their own. Add in some art projects or community service, and suddenly the unorthodox becomes relevant and effective.

Frankenstein

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I love finding new ways to approach classic literature. Mary Shelley’s Frankenstein is one of those books I knew about but was never required to read. I finally read it over the summer thanks to my Nook and free classics. Was I ever dumbfounded! Every conception I had about the book was completely off base, as it was tainted by pop culture and cinema. Here was a book written by a 19 year old girl in 1818 with a multitude of 21st century conflicts. I won’t teach a book that is no longer culturally relevant because I want ALL my students to love reading. Classics that are restricted by time period are often wonderful, but I prefer to recommend those to my students who want to read everything–twice.

Frankenstein, however,may be more culturally relevant now than in 1818.  One of the key elements for current readers is the question, “Just because we are able to do something, does it mean we should do it?”  In 1818 electricity was a new concept, and the practical and cheap applications were years away. That Frankenstein was able to infuse life into something he assembled from multiple parts (particularly grotesque when envisioned) was purely fantasy. Today, however, that idea has plausible elements to it. Cloning, transplants, and stem cell research open that Pandora’s Box of possibilities heretofore unimaginable.

The geneticist Barbara McClintock once said of her research, “I was just so interested in what I was doing I could hardly wait to get up in the morning and get at it. One of my friends, a geneticist, said I was a child, because only children can’t wait to get up in the morning to get at what they want to do.” (http://www.nap.edu/openbook.php?record_id=4917&page=1)  McClintock explains the passion of research and experimentation in the same way Frankenstein might have as he created his new “species.” He was so caught up in his idea and the potential glory he could receive that, like a child, he didn’t think through the consequences.

Whether it is practical science, economics, politics, or any other science, modern practitioners often lunge forward into experiments without fully thinking through the consequences.  Students entering the college and work world need to understand the long term ramifications of their decisions and discoveries. Running with new concept may seem like a great plan, but the ultimate outcomes may be contrary to the vision.

Of course, Frankenstein contains more timeless lessons than the conflict of science and ethics. The importance of companionship, the danger of isolation, and the tragedy of hubris are all themes appropriate for the contemporary teenager.  The focus will vary depending on the interests of the particular students in the class. The primary idea is to make the literature relevant.

Science, ethics, and literature: they are connected.